Sometimes, two heads are way better than one: a picture book author-illustrator dream team...

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Author Germano Zullo and illustrator Albertine have together given me endless hope for the future of the picture book and plenty of entertainment along the way. This creative Swiss duo is a match made in picture book heaven. I happened to stumble across their work quite serendipitously, when I picked up Little Bird at the library (I wrote about my love for this book earlier here), and since then I’ve been on a constant lookout for more. Be it witty or whimsical, their work is another example of an unclassifiable wonderful-ness that crosses borders and genres in the world of picture books.  The chemistry they have is striking, and with each collaboration they manage to bring something new to the reader and yet retain their signature style. I thought I’d talk about three of their books in this post:  Marta...

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Concept picture books: a much-needed multicultural spin...

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Round is a Tortilla has a refreshing take on the common concept picture book about shapes. Usually these kind of books target very young readers, and hence there isn’t a narrative; there are typically words with accompanying pictures. What I really loved about this book was how Roseanne Greenfield Thong‘s charming text and John Parra‘s gorgeous illustrations transport you into a distinctly Hispanic cultural space with a wonderful Latino flavor to it. Even though at its core it is still a ‘list’ book (where there isn’t really a plot), both the written and visual narrative elevate it to something more meaningful and creative than your standard concept book.   Spanish words pepper the rhyming English narration, and make for a great read-aloud experience. I’m not usually a big fan of rhyming text, but it’s quite effective...

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Not what they seem: playing with perception in picture books...

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The most encouraging sign in the exploration of a form is when people really begin to think outside of its set definitions. It’s not every day you find a picture book that plays with readers’ expectations and takes them on a completely unexpected journey. Today I thought I’d talk about two books published this year that managed to do just that. Count the Monkeys is yet another example of the fabulous Mac Barnett‘s work. Anybody who is trying to be a picture book author, I think, should really do a study of his work to see just how creatively he thinks as an author. He understands that the medium is more visual, but he always comes up with witty and intelligent concepts that illustrators can then work with, which ultimately create a winning combination of both...

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Experiments in papercutting – II...

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I’m working on an idea for a new book with paper-cut illustrations. Even though my concept is for a digital book, I like the idea of using paper-cut pictures because it gives it a more 3D feel than the flatness you sometimes get with digital art. Doing it this way, I also have the freedom to move the pieces around, like a puppeteer. It’s a little time-consuming, but entertaining process. Looks like somebody’s angry, huh? I was a little scared myself, when I finished. Poor kid! What do you think? Let’s see what comes out of it.  Stay tuned for more! P.S If you’re curious about how the first papercutting experiment went, go here....

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3 picture books deal with 2 complex issues: death and domestic violence...

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What could be more difficult that dealing with the loss of a parent?  It’s a subject that most people have a hard time even comprehending, forget making it a subject of a book for children. But picture books aren’t meant to shield children. That’s my opinion, at least. There are people in the other camp who believe that hard subjects like death, loss, violence and abuse should be left out of books for children. But they’re all a reality of life, unfortunately. Isn’t it inevitable that they will have to deal with a whole host of issues as they grow up? Two beautiful picture books that I read recently reflect that if it’s done in the right way, they can be very valuable and effective.  My Father’s Arms Are A Boat  (written by Stein Erik...

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Celebrating “The Book”: The works of Suzy Lee...

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I can safely say that one of my favorite picture book creators of all time is Suzy Lee. I own every book she’s made expect for the few that don’t have English editions. I’m hoping that there will eventually be translations, and that I can read them someday. But I’m thrilled that I got my hands on her latest work as illustrator called Open This Little Book.  The concept behind this gem came from the imaginative mind of the author, Jesse Klausmeier. This great little interview with the author/illustrator duo will give you some background on their creative and collaborative process. The result of their combined efforts is the most innovative book I’ve seen so far this year.   As much as I’d love to share pictures of the inside pages to show you just how ingenious...

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Ezra Keats and multicultural picture books...

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Today is a very special children’s book icon’s birthday: Ezra Jack Keats‘s. He  is widely credited with introducing multiculturalism into mainstream children’s publishing in the US. For over 25 years the Ezra Jack Keats Foundation has given an annual award to the best new author and illustrator that represents the “universal qualities of childhood… and the multicultural nature of our world.” In fact, this year’s winners were announced just a few days ago.  So today  seems especially apt to look back at this wonderful author and illustrator, because what he contributed and represents are the most important elements to me as a reader, lover, and creator of picture books — inclusion and diversity.   The book that brought  widespread recognition to Keats was The Snowy Day. It is a delightful picture book with an endearing African-American boy (Peter) as its protagonist,...

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